一个画家从开始学画时就被输灌着观察物象的方法,什么多比较、整体观察,“准确”把握物象的比例、结构、形体、动态、空间、色调等等表象特征等。几年的努力之后掌握了观察及表达物象的基本技能,这时,水平要提升就遇到了困难。一方面仍保持着过去描摹物象的强大的惯性,另一方面主观的追求又不愿受制于物象而要寻求更广阔自由的发展空 When an artist learns to paint, he begins to learn about how to observe objects, how to compare them, and how to compare them with each other to observe the proportion, structure, shape, dynamics, space, hue, etc. of the objects. After years of hard work, I mastered the basic skills of observing and expressing objects. At this time, I encountered difficulties in raising the level. On the one hand, it still maintains the powerful inertia of tracing the past and on the other hand, the subjective pursuit is not willing to be subject to the image but to seek a broader and free development.