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探索性影片的不断问世,传统电影是否有其继续存在和发展的必要也随着“谢晋时代”应该结束与否,成了电影界和评论界的热门议点。有文章认为,谢晋的传统电影模式是“文化变革中的一个严重的不协和音”,成了“新时期电影艺术发展的桎梏”,因而“谢晋时代应该结束”。笔者以为,这种观点是对“文化变革”的莫大误解,也是对“进口文化品”的一种消化不良以及缺之“全方位”的战略眼光所引起的反态心理的畸形产物。
With the continuous advent of exploratory films, the necessity of whether traditional films continue to exist or develop has also become a hot topic in the movie industry and the critics industry as the “Xie Jin era” should be ended. Some articles think that Xie Jin’s traditional film mode is “a serious disharmony in cultural change” and has become “the shackles of the development of cinema art in the new era.” Therefore, “Xie Jin era should end.” In my opinion, this view is a great misunderstanding of “cultural change” and a deformity of anti-psychology caused by a kind of indigestion and “omnidirectional” strategic vision of “imported cultural products.”