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盛夏7月,由中国艺术研究院戏曲研究所主办的第3届戏曲现状研讨会,历时5天,于21日在北京虎峪园林招待所礼堂降下了帷幕。这次研讨会,是我国解放后第一次召开的具有全国性规模的,以新时期导演艺术为内容的戏曲导演学术研讨会。来自全国戏曲院团和戏曲理论研究部门的代表80余人参加了会议。此次研讨会主要涉及了如下四个方面的内容。一、建立戏曲“导演中心制”代表们普遍认为,戏曲艺术尤其是现代戏曲,由
In midsummer, in July, the 3rd State of the Art Symposium sponsored by the Chinese Academy of Drama and Opera Research Institute lasted for 5 days and ended in the auditorium of Huyu Garden Guest House on the 21st. This seminar is the first nationally held opera director’s academic seminar with directorial art in the new era to be held for the first time after the liberation of China. More than 80 representatives from the National Drama Institute and Drama Theory Research Department attended the conference. The seminar mainly involves the following four aspects. First, the establishment of opera “Director Center” Deputies generally believe that the opera art, especially modern drama, from