21世纪中国出现的少数民族题材原生态电影带有明显的新特征,少数民族题材原生态电影以民族文化的自我书写为方法,并且以还原少数民族文化的真实面目为旨归,针对少数民族在民族文化方面的种种呈现和在目前所获得的发展提供了物质、精神方面的证据,同时也为民族的文化方面注入了活力,是少数民族文化的一次自我拯救。这种对本民族的文化书写,向纪实美学靠拢,也是其最明显也最基本的美学特征。 In the 21st century, ethnic minorities appeared in the original ecological movie with obvious new features, the theme of the original movie minority culture to national culture as a method of self-cultivation, and to restore the true face of ethnic culture as the goal, aimed at ethnic minorities in The various manifestations of the national culture and the present developments have provided material and spiritual evidence as well as infused vitality into the cultural aspects of the nation and become a self-rescue of ethnic cultures. This kind of cultural writing to our nation moves closer to documentary aesthetics, which is also its most obvious and most basic aesthetic feature.