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我们现在的美术教育,除了变得无比庞大,还有什么更为有益的变化吗?至于传统艺术的传承,以及如何发展的问题,方方面面都做到位了吗?在我们与张立辰谈论潘天寿艺术,以及当年的美术教育时,能够很清晰地感受到老先生对现在美术教育的担心。本期[时代人物],特别推荐张立辰谈潘天寿的艺术贡献,其中有一些当年美术教育的细节,弥足珍贵。[本期名家]介绍的是西南大学美术学院的付念屏,他是一位关注现实变化的油画家。
Are there any more beneficial changes in our present art education besides becoming immense? As for the inheritance of traditional art and how to develop it, are all aspects in place? When we talked with Zhang Lizhen about the art of Pan Tianshou, As well as the art education of that year, he was able to clearly feel the old gentleman’s concern about art education nowadays. In this issue of “Time People”, Zhang Li-Chen is particularly recommended to talk about Pan Tianshou’s artistic contributions. Some of the details of art education at that time were extremely valuable. [This issue of famous] introduces the Fu Nianping of Southwest University of Fine Arts, he is a painter concerned about the reality of change.