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读了张绍宽同志写的《戏曲中的封建毒素和“四化”的矛盾》一文,我同意他的基本命题,即目前戏曲的思想内容与四化建设存在着矛盾,影响争取青年观众,阻碍了戏曲的发展。但是,对张文中的具体分析,特别是如何看待戏曲中的封建毒素,以及对某些剧目思想内容的评价,我则有不同的看法。如何看待我国传统戏曲的思想内容?张文说:“我国的传统戏曲产生在封建社会,是封建统治阶级‘教化’人民群众的工具,渗透着封建主义的毒汁。”我以为,这仅仅说了事物的一面,而没有说另外一面,因而是片面的。
I read a commentary from Zhang Shao-kuan on “the contradiction between the feudal toxins in the drama and the” four modernizations. “I agree with his basic proposition that there is a contradiction between the ideological content of the current drama and the four modernizations, which affects young audiences and hinders The development of opera. However, I have different views on Zhang Wenzhong’s specific analysis, especially on how to view the feudal toxins in the drama and on the evaluation of some repertory elements. Zhang Wen said: ”China’s traditional drama originated in the feudal society, is the feudal ruling class ’enlightenment’ the people’s tools, infiltration of the poison of feudalism." I think this is just saying One side of things, but did not say the other side, which is one-sided.