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影戏是中国固有的传统艺术文化,从闽粤地区传入台湾之后,一直根植于民间,极少为知识分子所重视。随着台湾社会的转型与现代化脚步的加速,校园儿童纸影戏便应运而生,逐渐成为学童及教师们所积极关注的推广对象。被誉为“台湾纸影戏之父”的陈处世先生,对于纸影戏的开拓可谓功不可没;而校园里充溢着一个个舞动百万兵偶的活泼小艺师,更让我们体认到影戏艺术在此有了传承的生机与创新的生命力。本文是笔者透过实地田野考察,并结合相关研究资料撰写而成的一篇介绍性文章,旨在让大家了解台湾如何将传统影戏改良成现代儿童纸影戏,进而在校园里扎根滋长。
The film and television drama is an inherent traditional Chinese art culture. After it was introduced to Taiwan from the areas of Guangdong and Fujian Provinces, it has been rooted in the private sector and rarely valued by intellectuals. As the transition of Taiwan society and the acceleration of the pace of modernization, paper-based school children’s films andons have come into being and have gradually become the promotion objects to which schoolchildren and teachers are actively concerned. Known as the “father of paper theater in Taiwan,” Mr. Chen Zhisi, for the development of paper shadow play can be described as indispensable; and campus filled with a lively millionaire dancer little artist, let us recognize To the art of film and television in this has a heritage of vitality and innovation. This article is an introductory essay written by the author through field trips and related research materials. The purpose of this article is to let everyone know how Taiwan has improved its traditional movie theater into a modern children’s film and shadow play, and then takes root in the campus.