小说中的意象不是孤立于文本的存在,而是与故事的构造乃至作品的深层意蕴紧密结合在一起的。在《包法利夫人》中,一些意象反复出现,不断积累起自身的象征意义的分量。其中,“阳光”(光)协助完成了视觉空间的构造,渲染了死水微澜的生活氛围,连接着现在、过去与未来,也是爱玛美好幻梦的寄托;而“瞎子”意象更是直指生命本质的虚无。 The image in the novel is not isolated from the existence of the text, but closely linked with the deep connotation of the structure of the story and even the work. In Madame Bovary, some images emerge repeatedly, accumulating their own symbolic weight. Among them, “Sunshine ” (light) to help complete the construction of visual space, rendering the living environment of the aggravating water, linking the present, the past and the future, but also Emma’s dream of beauty; and “blind” image It is directed at the essence of life is nothingness.