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THE Chinese economic reform has pushed society into a period of transformation. City women—especially career women—once again are confronted with new choices. Compared to Nora’s choice to leave or stay at home, as depicted in the Norwegian playwright Henrik Ibsen’s A Doll’s House, the Chinese career women’s choice is obviously more complicated. It involves social roles and the expectations society has about their gender. Several women doctoral students with the Chinese Academy of Social Sciences recently talked about this issue.
Compared to Nora’s choice to leave or stay at home, as depicted in the Norwegian playwright Henrik Ibsen’s A Doll’s House It involves social roles and the expectations society has about their gender. Several women doctoral students with the Chinese Academy of Social Sciences recently talked about this issue.