谢跃,是近年来陶艺界颇为活跃的一位青年陶艺家。他的系列作品《魔箱》在’91北京国际陶艺研讨会上,受到中外专家的好评。在人类审美经验和艺术准则中,和谐这一概念始终是神圣的,古典形态的陶艺创造也始终以和谐为高尚目标。然而,这种美学传统在本世纪已渐失主流之势。崛起现代陶艺,带给人们日益增长的“反和谐”的审美经验,大大地拓展了人类的审美视野。今日的谢跃,便执意要把冲突性因素转化为颖异空间感受的触发媒介,以期接受主体在尖锐的形式冲突中感受到新异的刺激和强烈的震撼。谢跃陶艺作品多显现出一种“突破”意象,尤其是《魔箱》系列作品。那些无可名状的怪兽破“箱”而出,象似渴望探测茫茫的外部空间。它们怪诡的形态和惊讶似的神情,使一个仿佛顿然间开 Xie Yue, a young pottery artist who is quite active in pottery art circles in recent years. His series “Magic Box” at the ’91 Beijing International Ceramics Seminar, praised by Chinese and foreign experts. In the human aesthetic experience and artistic norms, the concept of harmony has always been sacred. The creation of classical forms of pottery has always been based on the principle of harmony as noble. However, this aesthetic tradition has become less mainstream in this century. The rise of modern ceramics, to bring people’s growing “anti-harmony” aesthetic experience, greatly expanded the human aesthetic horizon. Xie Yue today, they insist on the conflict factors into a metaphysical space of the trigger media, in order to accept the subject in the sharp conflict in the form of new exotic stimulation and a strong shock. Xie Yue pottery works more show a “breakthrough” image, especially the “magic box” series of works. Undesirable monsters break out of the box, like the desire to detect the vast outer space. Their weird forms and astonishing expressions make one seem suddenly open