作家白先勇的小说创作,应该说是台湾文学特殊时期的产物。与日据时期的台湾文学不同,他的创作背景是由内地人变成“台北人”的一个复杂而残酷的过程。这种变化,虽说不是“逾淮之桔”,但总让人有旧时王谢之感。这样的背景,很容易也很自然地与中国文学的“怀故国”主情调相沟通,更重要的是,这种沟通是白先勇式的沟通。 Writer Bai Xianyong’s novel creation should be said to be a product of the special period of Taiwan literature. Unlike the Taiwanese literature during the Japanese occupation, his creative background was a complex and cruel process from becoming a “Taiwanese man” from the hinterland. Although this change is not “an orange over the Huaihe River”, it always makes people feel old thanks to Wang. Such a background is easy and natural to communicate with the main sentiment of the “old country” in Chinese literature. More importantly, this communication is Bai Xianyong’s communication.