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本刊今年第二期郑重推出青年油画家于小东表现西藏题材的大型油画《渡》,引起了油画界的普遍关注,虽然对于作品本身的评价可以仁智各异,但它的突兀出现.无疑唤起了人们麻木多年的那个搞大创作的旧梦。本期我们又向美术界郑重推出一位醉心搞大创作的青年油画家蓝立斌。之所以推出.并不是因为他画西藏题材.本刊对艺术家选择什么题材从不说三道四、指指点点。我们之所以郑重推出,是因为他对“美术”二字的敬诚态度,既执着地追求真善美的审美理想,又刻苦地磨练自己的技术表现能力,而且敢于问鼎大作。蓝立斌说得好“我珍惜我的每一年、每一月.每一天.人生的有效时间少得可怜,……人生能做好一件事实属不易……我只想做好一件事,就是绘画”。我们期望更多的珍惜自己艺术生命而敬诚作画的有为青年艺术家成长起来。
This issue of the second issue of this year solemnly introduces the large-scale oil painting “crossing” by young oil painters in Xiaodong to show the theme of Tibet. It has aroused widespread concern in the oil painting industry. Although the evaluation of the work itself can be varied with different energies, its appearance is abrupt. Undoubtedly evoked the numbness of people who engage in large-scale creation of the old dream. In this issue, we also solemnly introduced to the art world a blue-eyed young painter Lan Libin. The reason why the introduction is not because he painted the subject matter of Tibet, the magazine on the subject of choice of what the artist has never said a blunder, pointing. The reason why we solemnly launch it is because of his respectful attitude towards the word “art”. He not only persistently pursues the aesthetic ideal of truth, goodness and beauty, but also painstakingly honers his technical performance ability and dares to make a great achievement. Lan Libin said “I cherish my every year, every month. Every day. The life of the pitiful effective time ... ... life can do a fact is not easy ... ... I just want to do a Thing is painting. ” We are expecting more promising young artists who cherish their artistic life and sincerely paint.