看了这个题目,读者也许会感到奇怪,谈黄胄同志的画,怎么扯到老茧、香烟、拐杖上去了?容我讲来。我原来是学美术史、美术理论专业的,从前,报刊约写有关画家与作品的文章,从未感到困难,自己也不知道当时哪儿来的那么多话要说;可是近年来,由于工作需要,自己也搞起创作来,再让我写这类文章,却总是感到很难,几乎写每句话都颇费推敲。记得辛弃疾有首词,大意是说,“少年不识愁滋味,为赋新诗强说愁”,而到老了,“识尽愁滋味”之后,却想说又说不出来了——“却道天凉好个秋”。这句似乎是“闲谈”的话,却道出了一种难以尽言的境界, Read this topic, the reader may feel strange, talk about Comrade Huang Zhi’s paintings, how pull the calluses, cigarettes, crutches up? Let me say. I used to study art history and art theory. In the past, the press never wrote any articles about painters and works. I never felt that I had so much to say at that time. However, in recent years, , I also engage in creative writing, let me write such articles, but always feel very difficult to write almost every sentence costly scrutiny. I remember Xin Qi Ji have the first word, the effect is that “the juvenile does not know the taste of sorrow, to endow the new poetry and say worry”, and to the old, “know all the unpleasant taste,” but wanted to say it can not say it - “ Road cool days a cool autumn. This sentence seems to be ”chatting", but it comes to an impossible state,