我与《世界文学》最密切的一次关系当属那次为写一篇文章。教学笔耕之余,我发现我国新时期诗歌常使用的诗歌象征艺术的理论混乱而又充满生机。有的论点将象征看作暗喻,有的看作所有暗示符号,也有的视之为我国传统诗学“赋比兴”中的“兴”。理论一经武装头脑,必定会反作用于作家的创作。常青的创作之树召唤理论的同步常青。为此,我决定在这个课题上花些精力写篇文 My closest relationship with “World Literature” comes down to writing an essay. Apart from teaching, I found that the theory of the symbolic art of poetry often used in the poetry of the new era in our country is confused and full of vigor. Some treatise regards the symbol as the metaphor, some as all suggestive symbols, and some as the “Xing” in our traditional poetics “Fu Beixing”. Once armed, the theory is bound to counter the writer’s creation. Evergreen tree of creation calls the theory of the evergreen. To this end, I decided to spend some time writing essays on this topic