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陶渊明的接受研究进入清初这一特定时期,主要表现在两位具有代表性的学者王夫之、王士禛对其孜孜不倦的继承上。这与当时的政治气候、社会文化背景以及清初文人的审美追求是分不开的。本文主要从接受美学的视角入手,分别从诗学精神与艺术风格两个层面来阐述他们对陶渊明的接受,并试图从他们对陶诗诗风的接受中来更清楚地反观清初学者的诗学价值取向与标准。
TAO Yuan-ming’s acceptance study entered the specific period of early Qing Dynasty mainly in the representative inheritors Wang Fuzhi and Wang Shizhen’s tireless inheritance. This is closely related to the current political climate, social and cultural background, and the aesthetic pursuit of literati in the early Qing Dynasty. This essay starts from the angle of accepting aesthetics and expounds their acceptance of Tao Yuanming respectively from two aspects: the poetic spirit and the artistic style, and attempts to reflect the poetics of the early Qing scholars more clearly from the acceptance of their poems Value orientation and standards.