《亚历山大·涅夫斯基》这部作品描写战争题材,因而浓重的乐队编制与粗狂的中低音区自然是作曲家设计音色的重点。正是由于作曲家在整体音响设计上对乐队低音的偏重,造成声部之间的融合与整个乐队的音响平衡被打破,取而代之的是整体音响平衡的偏离与丰满度的降低,这些特点都足以造成整体音响显现出极强的画面感。在此,着力分析这部作品中普罗科菲耶夫对于乐队低音区以及低音乐器的独特运用,试图阐释出作曲家在创作这部作品乐队技法方面所表现出的独特魅力。 “Alexander Nevsky” This work describes the theme of the war, so heavy band preparation and crude mad bass area is of course the focus of the composer design tone. It is precisely because the composer in the overall sound design emphasis on the band bass, resulting in integration between the parts and the band’s sound balance is broken, replaced by the overall sound balance deviation and fullness reduction, these characteristics are sufficient Resulting in the overall sound show a very strong sense of the picture. Here, I will analyze Prokofiev’s unique use of bass band and bass instruments in this work, trying to explain the unique charm of the composer’s technique in creating the orchestra.