在20世纪60年代,因为电视行业的蓬勃发展,美国电影出现衰退时,反而还涌现出一批年轻的电影导演。以伍迪·艾伦为代表的新好莱坞电影导演在电影圈里一直是个独行僧,他的影片充满着中产阶级知识分子的自嘲与解构。他的作品数量如同他的话痨程度一般,坚持用影像展示他的世界观和处世态度。如果他的《曼哈顿》是一部写给城市的抒情诗,那《安妮·霍尔》就是他写给自己以及文艺青年的失恋史诗。今天,《安妮·霍尔》上映40周年,这部至今仍被文艺青年奉为恋爱蓝本的影片试图完成的是 In the 1960s, as the television industry thrived and U.S. movies dwindled, a number of young film directors emerged. The new Hollywood film director, represented by Woody Allen, has always been a solo monk in the movie industry. His films are full of self-deprecating and deconstruction of middle-class intellectuals. His work, to a lesser degree than his words, insisted on using images to show his worldview and his attitude towards life. If his “Manhattan” is a lyric poem written to the city, then “Anne Hall” is an epic that he wrote to himself and literary youth. Today, the 40th anniversary of Annie Hall’s release, the film that this hitherto still regarded as a blueprint by literary young artists is trying to accomplish