作品崇尚宋人法度,追求清新、淡雅、隽逸的风格。用笔朴拙纯真,设色清丽明快,线条淡定有力,具八大山人笔意,画面有宇宙感。书法取法两晋,行笔、章法与画面协调统一,与画风浑然一体。画家以澄怀观道的审美情趣,将对生命与自然的感悟融入作品之中。代表作育:二十世纪末主笔完成的巨幅作品《百鸟朝风》(250×550cm)。 Works advocating the French method, the pursuit of fresh, elegant, unrestrained style. With simple and simple pen, clear and bright color set, calm and powerful lines, with the Bada Shanren meaning, the picture has a sense of the universe. Calligraphy Jin Dynasty, pen, chapter law and picture coordination and unity, and seamless style. Painter to Cheng Huai Tao Tao aesthetic taste, the perception of life and nature into the works. Representative breeding: the end of the 20th century, the main works of the great works “100 birds wind” (250 × 550cm).