六十年代,专业艺术表演团体纷纷上山下乡,为农民服务,出现了“背篓精神”、“板车剧团”、“扁担剧团”,被农民誉为“我们自己的剧团”,深受群众欢迎和拥戴,一时传为佳话。现在生活水平提高了,条件也较之六十年代好得多,如果现在要求演员去背背篓、拖板车、挑扁担,恐怕不太实际,或者有些苛求。然而,问题并不在于形式,而是规在剧团上山下乡少了,为农民服务的观念淡漠了。把“背篓精神”请回剧团来,有两个含意:其一,是把艰苦奋斗的优良传统作风接过来,传下去。我们的国家还很穷,四化建设需要积累资金,艰苦奋斗仍然是长期要坚持的方针。文艺单位家底本来就不厚,更要勤俭办团,增收节支。不能赚多少分多少,摆阔 In the 1960s, professional performing arts groups went up the mountain and went to the countryside to serve the peasants. There was a “Backpack Spirit”, a “Banquet Troupe” and a “Panda Troupe”, which were hailed by peasants as “our own troupe” and were well received by the masses And support, sometimes pass as a story. Now living standards have been raised and the conditions have been much better than those of the 1960s. If the actors are now required to go back and baskets, pallet trucks and pick flat poles, I am afraid it is not practical or some demanding. However, the problem does not lie in the form, but the idea of ​​serving the peasants indifferent to the fact that the troupe goes downhill and goes down to the countryside. The “backpack spirit” please come back to the troupe, there are two meanings: First, it is hard work to inherit the fine traditional style, pass down. Our country is still very poor. We need to accumulate funds for the four modernizations and it is still our long-term policy to work hard. Literary and art units have not thick family, but also to do thrifty groups, increase income and expenditure. Can not earn how many points, put wide