收藏在美国华盛顿佛利尔美术馆《五罗汉渡海图》,迄今鲜见讨论。本文从罗汉的缘起及其到明代中期的演变,试图阐释画中罗汉的意涵,及其和慈圣皇太后的关系,并进一步以现藏美国纽约大都会博物馆的另一幅《莲池观音图》和现存北京相关寺塔的石刻画像、首都博物馆收藏相似款识的水陆画作等交叉比照,探讨《五罗汉渡海图》是否为慈圣皇太后御笔;目前散落各地博物馆、同样出自明代后妃的相关画作,以及明代内府的诸多水陆丽,是否有可能成为明代宫廷绘画史的外一章。 Collection inFlorida, Washington Museum of Art “Five Lo Han Hood charts” so far rare discussion. This article attempts to explain the meaning of Lohan in the painting and its relation with the Empress Dowager Cixihuang from the origin of Lohan and its evolution to the mid Ming Dynasty, Map “and the existing Beijing related temple tower stone portrait, the capital museum collection of similar sections of the water and land paintings and other cross-reference, to explore” five Lo Han Hutu chart "is the Mercy Queen Mother Empress pen; currently scattered around the museum, also from the Ming Empress related Paintings, as well as many of the land and water in the Ming Dynasty Li and Li, is it possible to become the Ming Dynasty court painting history of a chapter.