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霸王项羽兵败乌江,是个战败的英雄。江水呜咽,战马嘶鸣,惊天动地的喊杀声中,一场千古悲剧——霸王别姬,成为可歌可泣的故事。这则故事因为有动人的情感和英雄的气概,所以成为多种艺术形式竞相表现的历史题材。张爱玲在19岁的时候以此为题写的短篇小说极见才华,由此奠定了她一生的文学道路。油画家王春雨的《霸王别姬》则重点表现姬别霸王的场景,从一个崭新的角度突出了虞姬的形象,从而深化了这个古老的故事,突显出霸王的英雄气概和悲壮结局。《霸王别姬》除了角度新颖之外,最感人的是背景和气氛刻画渲染的真切。霸王的坐骑惊魂向天,嘶鸣不已,让人觉得它随时准备一冲霄汉,这就从造型和心理上衬托了楚霸王的王者之风。战马前腿呈弓形,嘴呈弧状大张,双目圆睁,鬃毛飘舞,无奈之中的壮美来自英雄末路的悲凉。到头来连这匹马也难免悲剧的下场,战马别姬,亦别霸王。画中项羽背对观者,呈显“无颜见江东父老”的肢体形象,江水像是在为他而呜咽。乌江对岸的汉军已现压顶之势,在此情势下,英雄一世的霸王还有别的选择吗?
Overlord Xiang Yu defeated Wujiang, is a defeated hero. The river sobbed, horse neighing, earth-shattering sobbing, a eternal tragedy - Farewell My Concubine, a epic story. Because of the touching emotion and her heroic spirit, this story has become a historical theme of competing performances of various art forms. Eileen Chang was extremely talented in his short story at the age of 19, laying the literary path of her life. Oil painter Wang Chunyu’s “Farewell My Concubine” focuses on the scene of Farewell to Overlord. It highlights Yuji’s image from a completely new perspective, deepening this ancient story and highlighting the overbearing heroic and tragic ending. “Farewell Myth” in addition to the novel point of view, the most touching is the background and atmosphere to portray the true rendering. Overlord mount sad to the sky, neighing endless, people feel that it is ready for a Chongxiaohan, which from the modeling and psychological Chu king of the King of the wind. War horse front legs were arched, mouth arc big Zhang, eyes wide open, flying mane, helpless heroic end from the desolate end. In the end even this horse will inevitably end the tragedy, Farewell My Concubine, also do not overlord. Painter Zhong Xiang Yu back viewers, was “no see Jiangdong elders,” the body image, the river was like for him and sobbed. The Han army across the Wujiang River is now pressing the trend, in this situation, the hero of the Overlord there are other options?