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兰守德、闻人在《乐器》1989年第3期发表的《把毕生奉献给扬琴艺术的郑宝恒教授》一文(以下简称“兰文”),介绍了郑宝恒同志从事扬琴工作的经历和成绩。诚然,对在扬琴艺苑耕耘了三十余年的老同志给予颂扬和肯定,我们认为是件好事。但是,文中存在不少严重失实之处,在各地扬琴界引起强烈反应。现就其中几个主要问题加以澄清,以正视听,恢复事物的本来面目。 1.“兰文”云郑宝恒同志“1950年在我国首开扬琴课”。据中央音乐学院几位当事人介绍,郑1950年是刚入学的小提琴专业学生,当时该院根本未设置扬琴专业,只是1955年秋才把郑从演出管理机构一半借调至民乐系开扬琴课,只招收了一名一年级学
Lan Shoude, who heard the article “Professor Zheng Baoheng devoted his life to the art of dulcimer” published in the 3rd issue of “Music Instruments” in 1989 (hereinafter referred to as “Lan Wen”), introduced the experiences and achievements of Zheng Baoheng in the work of dulcimer. It is true that we praise and affirm the veteran comrades who cultivated more than 30 years in Yangqin Art Museum and we think this is a good thing. However, there are many serious untruths in the article, which aroused a strong reaction in all parts of the world. We are now going to clarify some of the major issues so as to face up to the truth and restore the true colors of things. 1. “Lan Wen” Yun Zheng Baoheng Comrade “1950 first dulcimer lesson in our country.” According to the introduction of several parties of the Central Conservatory of Music, Zheng 1950 was a violin student just enrolled in the school. At that time, the college did not set up a professional dulcimer at all, but only half of Zheng’s performance management agency was seconded to the folk music department for dulcimer lessons in the fall of 1955, A first grade