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动画影片作为一种特殊的艺术表现形式,它由一个个虚构的视觉形象组成,在构成这个虚拟世界之时,轴线的运用直接影响着镜头画面的构成以及镜头的分切和组合。本文通过动画影片《美代璃之森》来探讨轴线在镜头转换中是怎样制约视角的变化范围的,以及如何利用运动轴线来分切运动镜头和应用不同方式突破轴线的局限性来创造出动感强烈、角度独特的镜头,从而进一步深入地诠释轴线的运用是构成画面空间感的基本条件。
As a special form of artistic expression, the animated film consists of a fictional visual image. The use of the axis directly affects the composition of the footage and the cutting and composition of the lens. In this paper, animated film “Mori Mori Mori” is used to explore the axis in the lens conversion is how to restrict the scope of change of perspective, and how to use the axis of motion to cut the lens and the application of different ways to break through the limitations of the axis to create a sense of movement Strong, unique angle of the lens, so as to further explain the use of axis is the basic conditions of the sense of space to form the picture.