记得四年以前,我在评论鲁晓威执导的电视剧《钟鼓楼》时,曾提到过北京电视艺术中心的一些年轻艺术家正在树立一个明确的创作目标:“坚持走民族化的道路,致力于表现北京生活,展示伟大首都的精神风貌,突出北京地方特色,充分利用北京文化传统丰富,艺术人才荟萃的诸多优势,创造具有浓厚北京韵味,雅俗共赏的独特艺术风格.”如今,鲁晓威人到中年,遇到摄制我国第一部大型室内电视连续剧的机遇,而且出手不凡,仅用了十个多月的时间,拍出长达五十集的《渴望》,显示出他们的追求已经付诸实现,风格也日臻成熟.这是值得庆贺的.《渴望》给我最大的触动,是它播出后所产生的社会效果.《渴望》的社会效果是积极的,向上的,也是出人意外的.入冬以来,几乎整整的一 I remember four years ago, when I commented on the drama “Bell & Drum Tower” directed by Lu Xiaowei, I mentioned that some young artists at the Beijing Television Arts Center are setting a clear goal of creation: “Insisting on the nationalization road, In the performance of Beijing life, showing the spirit of the great capital of the city, highlighting the local characteristics of Beijing, take full advantage of the rich cultural traditions of Beijing, art talent blend of many advantages and create a strong Beijing flavor, refined taste of the unique art style. ”“ Now, In middle age, he encountered the opportunity of making the first large-scale indoor TV series in China and made extraordinary appearances. With only over ten months, he took as many as 50 ”cravings“ to show their pursuit Has been put into practice, the style is also maturing .It is worth celebrating. ”Thirst“ give me the greatest touch is the social effects of its broadcast. ”Desire," the social effect is positive, upward, but also Surprisingly, almost an entire one since winter