戏剧史上有这样的例子 ,由于剧作家不肯轻易地消解戏剧冲突 ,使一个很可能默默无闻的剧本成为旷世杰作。这个剧本就是易卜生的《玩偶之家》。做出这一评述的是萧伯纳。这位睿智的英国人认为 ,假如海尔茂说了“没事了 ,没事了”之后 ,娜拉也以为误会已经消除 ,照旧可以小鸟依人 There is such an example in the history of drama, for the dramatist refuses to easily dispel the dramatic conflict and make a script that is probably unknown to the public. Ibsen's “House of Dolls” is the play. George Bernard Shaw made this comment. The wise British believe that if Haier Mao said “nothing, nothing”, Nora also thought that the misunderstanding has been eliminated, or can be a small bird according to people