现代戏剧对于莎士比亚的理解阐释和舞台呈现方式,正印合了歌德曾经对莎士比亚所有过的评介——“说不尽”。如何使莎士比亚内涵丰厚的剧作在舞台上更为现代化、民族化、大众化,已越来越成为各国戏剧家们共同感兴趣。并且尽心探讨尝试的问题。在中国首届莎士比亚戏剧节中,曾出现过京剧《奥赛罗》、越剧《第十二夜》、黄梅戏《无事生非》、昆剧《血手记》(《麦克白斯》)等,引起了不小的反响。而在美国的戏剧舞台上,莎士比亚的戏更是千姿百态, Modern theater interprets Shakespeare’s interpretation and stage presentation, is a combination of Goethe’s comments on all of Shakespeare’s - “can not tell.” How to make Shakespeare’s rich dramas more modern, nationalized and popularized on the stage has become more and more common interest among the dramatists of all countries. And dedicated to explore the issue of trying. In the first Shakespeare Festival of China, Peking opera “Othello”, “the twelfth night” of Yue opera, “no living” of the Huangmei opera, Kunqu opera “blood handwriting” (“Macbeth”), etc. repercussions. In the United States theater stage, Shakespeare’s play is mixed,