《黄昏》是茅盾先生一篇重要的写景散文。散文近似诗歌,情景并茂,以对大海的描写传递作者深厚而复杂的情感。本文以功能翻译派的重要理论—目的论为理论框架,选取郝启成和凯瑟琳.博勒的译本作为语料,试探讨译者是如何选择翻译策略来服务于翻译目的,从而影响译文的风格。 Twilight is an important portrait of Mr. Mao Dun. Prose close to poetry, scenes and Mao, to describe the sea pass the author’s deep and complex emotions. This essay, based on the theory of teleology, as the theoretical framework, uses the translated versions of Hao Qicheng and Catherine Boller as the corpus, and explores how translators choose translation strategies to serve translation purposes and thus influence the style of the translation.