摄影术自发明以来,就存在互相冲突的两种功能:一种是实用的、用来完成某些工作和任务的技术功能:一种是务虚的,用来达到某些精神追求的艺术功能。这两种功能虽然时有冲突,但常常又是互补和协作的:实用的摄影也会追求艺术性,而艺术摄影,有时也不免有着很实际、很功利的要求。这道理其实并不复杂,只是有时我们更愿意把两者看得水火不容,而忽略了他们本来是“一个硬币的正反两面”。 Since the invention of photography, there have been two conflicting functions: one is a functional technical function used to accomplish certain tasks and tasks: one is a servile artistic function used to achieve certain spiritual pursuits. Although these two kinds of functions sometimes conflict, they are often complementary and collaborative: practical photography can also pursue artisticness, and artistic photography sometimes can not help but have very practical and very utilitarian requirements. This truth is actually not complicated, but sometimes we prefer to see each other over and over again, ignoring the fact that they were originally “the pros and cons of a coin.”