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作为一种新兴艺术,影视同在它之前的七种传统艺术相比,虽然“出生”时间较晚,但因为栖居在科技之树之上,凭借现代科学技术的支托,其发展速度可谓超前;尤其近些年影视又与市场经济、商业文化相遇,在其影响之下,逐渐处于社会文化的中心位置。然而与影视自身的发展相比,影视批评却处于滞后的状态,可以说从未“风光”过。如果说20世纪80年代末90年代初还曾有过精美的赏析,执着的争鸣,那么进入90年代后,专业批评的园地愈来愈小,理性的话语越来越弱;而相对出现的是大众批评的声音越来越响,媒体批评的园地越来越多,形成了“众声喧哗”。我们看到,“首映+研讨”、“拍摄花絮”、“明星追踪”等常见报端;“复述剧情”式的“捧文”与“不吐不快”式的“边看边骂”越来越多。应该说,这种来自媒体和普通观众的大众化影视批评也是影视批评的一个部分,但这不应是影视批评的主体,它的热闹与喧哗替代不了专业影视批评的位置与作用,还有责任。所以对此种现象,我们应有所关注,有所分析。笔者认为,当前影视批评存在着几种倾向,阻碍着真正的影视批评的进展与开拓。
As a newly emerging art and film, compared with the seven traditional arts before it, although “born” is relatively late, because of its dwelling on the tree of science and technology and the support of modern science and technology, its development In recent years, film and television have also met with market economy and commercial culture. Under the influence of the film and television industry, it has gradually been at the center of social culture. However, compared with the development of film and television, film criticism is lagging behind, we can say never “scenery ” too. If we say that there was exquisite appreciation and persistent debate in the late 1980s and early 1990s, then after the 1990s, the field of professional criticism is getting smaller and smaller and the words of reason are becoming weaker and weaker; The voice of the public criticism is louder and louder and the media criticizes more and more fields, forming a “hubble”. We can see, “Premiere + seminar ”, “shooting tidbits ”, “star tracking ” and other common newspaper; “Paraphrase ” type “Type ” look curse "more and more. It should be said that such mass criticism from the media and the general audience is also a part of film criticism. However, this should not be the main body of film criticism. Its excitement and excitement can not replace the position and function of professional film criticism, and it is also its responsibility. Therefore, we should pay attention to this phenomenon and analyze it. The author believes that there are several tendencies in current film criticism, hindering the progress and development of true film criticism.