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也许我们永远无法发现电影的真谛,但是我们可以识破电影的谎言和那些披着电影外皮却在拿自己的呓语糊弄我们的人。 在不久前闭幕的威尼斯电影节上斩获了 “欧洲艺术奖”的《红颜》,将于2006年在欧 洲3000多家院线隆重上映,这意味着又一位 第六代导演从地下浮出到了地上。以关注女性 著称的李玉直指伦理纲常压力下母子恋情中的 女性精神出路问题,影片另类得有些孤僻,但 是直言不讳的风格让地上的观众依然可以感受 着小制作地下电影的真诚和性情,也终于可以 摆脱了2005年《青红》之流的怀旧电影带来 的一系列的阴覆。
Maybe we will never find the true meaning of the movie, but we can see through the film’s lies and those who hide in the skin of the film but in their own words. The red color of the European Art Awards, which was recently unveiled at the Venice Film Festival, will be unveiled in over 3,000 cinemas in Europe in 2006, meaning another sixth-generation director emerges from the ground up On the ground. To pay close attention to the female Li Yu is directed at the ethics of the mother under the pressure of the female spirit out of the way, the film alternative somewhat eccentric, Can get rid of the “red” stream of nostalgic movies brought a series of overcast.