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俄国文学中的“女性记忆”是一个饶有兴味的文学史话题,一批杰出俄国女性作家自“白银时代”登上文坛,逐渐成长为俄国文学的重要组成部分。除抒情诗、戏剧和短篇小说等文学体裁,俄国女性写作者的创作优势也体现在回忆录的写作上。在整个20世纪,俄国女性文学回忆录传统大放异彩,结出累累硕果,而《曼德施塔姆夫人回忆录》在这一体裁中无疑也占有一个重要位置。这部回忆录的写作和发表、内容和风格、传播和影响均具有十分典型的意义,在一定程度上概括地体现出了“女性记忆”在俄国文学中的作用和意义、功能和影响。可以说,它是20世纪俄语文学中所谓“遗孀文学”最典型的体现之一,同时也构成一段生动、珍贵的文学断代野史。
The “Female Memory” in Russian Literature is an interesting subject of literary history. A group of prominent Russian female writers boarded the literary world from “Silver Age ” and gradually became an important part of Russian literature. Apart from the literary genres such as lyric poetry, drama and short stories, the creative superiority of Russian female writers is also reflected in the memoir writing. Throughout the 20th century, the tradition of Russian women’s literary memoirs has shone with many fruits, and “the memoirs of Madame Stamm” undoubtedly occupy an important place in this genre. The writing, publication, content, style, communication and influence of this memoir are very typical. To a certain extent, this memoir expresses the function and significance, function and influence of “female memory ” in Russian literature. It can be said that it is one of the most typical manifestations of so-called “widow literature” in Russian literature in the 20th century. It also constitutes a vivid and precious piece of literature on behalf of the unofficial history.