“世界是事的集合体,而非物的集合体”,这是20世纪维特根斯坦的一句名言。早期维特根斯坦认为,对物的研究,走向的是定义;对事的追问,走向的是意境。而早在几千年前的庄子就说过类似而更为深刻的话,即“物物而不物于物”。庄子看世界的方式是物物,即融于物,人在诗意的境界中回到世界,他批评惠子是物于物,是只知道研究物的“逐物”之夫。版画的“物”性特征很强。版画繁琐的 “The world is a collection of things, not a collection of things,” is a famous quote from Wittgenstein in the 20th century. Early Wittgenstein believed that the study of things toward the definition of; things to question, to the mood. Chuang Tzu, as early as a few thousand years ago, said something similar and even more profound: “things without anything.” Chuang-tzu’s way of looking at the world is that of things, that is, things that melt into things, and people return to the world in a poetic realm. He criticizes Keiko as a thing-in-itself, and a husband who knows everything about things. Print “object” sexual characteristics are strong. Prints cumbersome