“中和”音乐审美观是中国音乐美学史上最早也是最重要的音乐美学范畴之一,伴随着中国音乐文化史的发展。本文试图对“中和”音乐美学审美观的内涵及其形成作一粗浅的脉络梳掠,以此希望能够对中国传统音乐思想中的“中和”音乐美学审美观有一个更加深刻、全面的认识。 “Neutralization ” Music Aesthetics is one of the earliest and most important categories of music aesthetics in the history of Chinese music aesthetics, accompanied by the development of Chinese music and culture history. This paper attempts to make a superficial brushwork on the connotation and formation of the musical aesthetics of “and ” in the hope of being able to have a more aesthetic appreciation of “medium ” music in Chinese traditional music thoughts Profound, comprehensive understanding.