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据《世说新语》记载,晋代大画家顾恺之画人物,形体画好以后先放下,连续数年不画眼睛。有人问他这是为什么,他说:“四体妍蚩,本无关于妙处,传神写照,正在阿堵中。”画人物形体样貌要像,但妙在画好传神的眼睛。无形的“神”不好把握,也很难表现,所以他迟迟不画眼睛。又据《图画见闻志》记载,唐朝的郭子仪,把两位画家为女婿赵纵画的肖像交给女儿看,问她哪一幅画的像。女儿说画的都像赵郎,但我觉得后一幅更好。父亲问她为什么,她说第一幅
According to “Shi Shuo Xin Yu” records, the great painter of the Jin Dynasty, Gu Kai’s paintings, the figure is good, put it down for a few years without drawing eyes. Someone asked him why this is what he said: “The four bodies are not related to beauty, vivid portrayals, and are being blocked.” Invisible “God” is not good to grasp, it is difficult to show, so he did not delay drawing eyes. According to the “Picture of Wen Zhi” records, the Tang Guo Ziyi, the two painters portrait of the son-in-law ZHAO Zhao daughter to see and ask her which picture like. My daughter said that painting is like Zhao Lang, but I think the latter one is better. The father asked her why she said the first one