基于各自的自然观、艺术观和观照方式,中国人和欧洲人分别把各种成分的自然空间转换成各种样式的艺术空间。中国人用“平摊变位”的方法,营造了平面格局的画中二维空间。欧洲人用“纵深幻觉”的方法,营造了有纵深感的画中三维空间。中国人用“全程排列”的方法,欧洲人用“集中联想”的方法,营造了描写时间过程的画中四维空间。中国人和欧洲人各自用“遥接”的方法,营造了描写心理活动的画中五维空间。 Based on their own viewpoints of nature, art and observation, Chinese and Europeans respectively transform the natural space of various components into artistic spaces of various styles. Chinese people use the method of “equal shift” to create a two-dimensional space in the picture of a plane pattern. Europeans use the “illusion of depth” method, creating a sense of depth in the three-dimensional paintings. Chinese people use the “permutation” method, and Europeans use the method of “centralizing association” to create a four-dimensional space depicting the time course. Chinese and Europeans each use the “remote connection” method to create a five-dimensional space depicting psychological activities.