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空白,在东方艺术上如中国画、书法、金石、剪纸、画像石、建筑以及戏曲等艺术门类中,皆可看到它的踪迹。 一 中国画空白,广义地说是中国画作品中笔墨未涉及之处。然而它在中国画中却占有特殊的地位,是中国画的有机组成部分,是其“半壁江山”。空白,是画面节奏的需要。中国画艺术所追求的无迹可寻,超乎象外的境界,可以说都在空白的冥冥之中,“此时无声胜有声”。没有空白,中国画便失去了东方艺术特有的言简意远的优势。
Blank, in the oriental art, such as Chinese painting, calligraphy, stone, paper cutting, portrait stone, architecture and opera and other art categories, can see its traces. A Chinese painting blank, broadly speaking, is not covered in the Chinese painting works. However, it occupies a special position in Chinese painting and is an integral part of Chinese painting. It is a “half of the country”. Blank, is the need for the rhythm of the screen. The pursuit of Chinese painting without trace of the past, beyond the world, it can be said that in the midst of blank, “At this time there is no sound Sheng Sheng.” Without a blank space, Chinese painting loses its unique and far-reaching advantage of Oriental art.