在我們戏曲舞台上的大量的传統剧目,产生在封建社会中间,它們的数量丰富,优秀剧目很多,受到广大劳动人民的喜爱。我国过去有着长期的封建社会,长期的以农民为主要成份的人民大众和封建統治阶級、地主阶級的对立。在这个阶級对立的社会基础上发展起来的,包括戏曲在內的民間文艺中,不断地反映着劳动人民的世界观。列宁說:“每个民族文化里面,都有哪怕是不大发展的民主主义的和社会主义的文化成份,因为每个民族里面都有劳动的和被剝削的群众,他們的生活条件必然地要产生民主主义的和社会主义的思想体系。”(列宁《关于民族問題的批評意見》)。戏曲由于是一种群众性的艺术,长期地在农民和城市小手工业者中間演唱,它的“民主主义的和社会主义的”思想,可能更为显露一些。然而“統治阶級的思想就是統治的思想”,那个时代的文学艺术,也不可能不反映封建的观念。“一定的文化(当作观念形态的文化)是一定社会的政治和经济的反映,又給予伟大影响和作用于一定社会的政治和经济:而經济是基础,政治则是經济的 A large number of traditional repertoires on our opera stage came into being in the middle of the feudal society. They were rich in numbers and excellent repertory. They were loved by the majority of working people. In the past, our country had long-term feudal society, a long-standing peasant-dominated mass opposition to the feudal ruling class and landlord class. The folklore, including operas, developed on the basis of this class-oriented society, constantly reflects the working people’s world view. Lenin said: “In every national culture, there are even undeveloped democratic and socialist cultural elements, for each nation has its working and exploited people, and their living conditions necessarily Creating a democratic and socialist ideological system. ”(Lenin’s“ Criticism on the Ethnic Issue ”). Because opera was a mass art, it had long been sung among peasants and urban handicraftsmen, and its “democratic and socialist” thinking might be more revealing. However, “the thinking of the ruling class is the thought of reign,” and the literature and art of that era can not possibly not reflect feudal ideas. "A certain culture (as a culture of ideology) is a reflection of the political and economic aspects of a given society. It also exerts a great influence on the politics and economy of a certain society: the economy is the foundation and the politics is the economy