“观众厅和舞台被分割成两个彼此隔离的空间,纵然也有联系和呼应,总嫌不够密切,心灵的传导受到了阻碍。”这是胡伟民在《中心舞台的魅力》中对封闭式的镜框式舞台的描述,可对于一个从未能坐在舞台下观看戏曲,仅能从电视电影中看到的人来说,这种描述同样适用,而且更有甚之,因为这是连联系和呼应也无法 “The auditorium and stage are divided into two separate space, even if there is contact and echo, not too close enough, the conduction of the mind has been hindered.” This is Hu Weimin in the “center stage charm” of closed The description of the picture-frame stage can be equally true, and even more so for a person who has never been able to sit on the stage and watch the opera, which can only be seen in a TV movie, And echo can not