现代戏创作曾经是广东的一个薄弱环节。建国后至改革开放前,除了独幕话剧《新局长到来之前》以及粤剧《山乡风云》等少数作品外,几乎举不出在全国较有影响的剧目,国家级的《剧本》月刊,登载广东的作品亦寥寥无几。新时期之后,广东成了改革开放的先行点和试验区,使广东领潮流之先,短短的几年,广东的经济建设、社会生活以至人们的价值观念,发生了翻天复地的变化。许多过去连想都不敢想的新思想、新观点、新名词就诞生在这块土地上。光怪陆离而又反差强烈的社会变革,像泉涌一样,给了广东剧作家以充沛的灵感和高昂的激情。于是,一批带着新生活气息的作品应运而生,像《十字街三重奏》、 Modern opera creation was once a weak link in Guangdong. Before the founding of the People’s Republic of China until the reform and opening up, there was hardly any more influential repertory in the country, the national monthly “Scenario” magazine except the one-act drama “Before the Arrival of the New Secretary” and a few works such as the “Shanxiang Foyu” There are very few works in Guangdong. After the new period, Guangdong became the first point and the pilot area for reform and opening up. The first, a few short years after the tide of Guangdong’s economy and Guangdong’s economic construction, social life and people’s values ​​had undergone tremendous changes. Many new ideas, new ideas, new terms born in the past were even born on the land. The bizarre and contrasting social revolution, like Quan, gave the Guangdong dramatists plenty of inspiration and high passion. As a result, a group of works with a new life came into being, such as “Cross Street Trio”