“肖洛霍夫与电影”——这是一个大题目。它比其他诸多有关改编的原则、文学手段与电影手段的关系、文学形象与银幕形象的转换过程等问题要宽泛得多。然而，这样一个大题目却可以用一句话来概括：肖洛霍夫的作品几乎全部被搬上了苏联银幕①。早在20至30年代的苏联电影就开始创 “Sholokhov and the movie” - this is a big topic. It is much broader than many other issues concerning the principle of adaptation, the relationship between literary and cinematic means, and the conversion of literary and screen images. However, such a big topic can be summed up in one sentence: almost all of Sholokhov’s works were moved onto the Soviet screen. As early as the Soviet Union in the 1920s and 1930s began to create