论文部分内容阅读
在网上百度唐代大诗人王维的诗作时,一个叫王维亚的书家走入我的视野,他的书法作品不多,但每一幅都堪称上乘。他的书风显然是从魏碑中脱化出来,不造势,但非常抢眼。其拙朴与“二爨”略似,保留着隶书的笔法和体式,但更多的是魏碑的金石气,笔画稚拙凝重,主用方笔,不少呈方棱或锐角。字形或大或小,结法紧密但不
When Baidu Tang Dynasty poet Wang Wei’s poem on the Internet, a book called Wang Weiya into my field of vision, his calligraphy works small, but each one is superior. Obviously his style of writing is removed from the Weibei out, not momentum, but very eye-catching. Its simple and “two 爨 ” slightly similar to retain the style and style of the official script, but more is the stele of Weibei, strokes stubborn ink, the main square pen, many were square or acute angle. Large or small glyphs, knot closely but not