艺术中关于材料的应用由来已久,但将材料本身定义为艺术,身兼形式与内容的载体则是20世纪以来的事。杜尚的签名将小便池推进了艺术史,赋予日常生活用具艺术的魔力,同时也将作为物的这个材料等同了艺术品。自此以后,材料、观念、抽象三者之间的图解关系演化为当代艺术叙事的主流。在“人人都可以成名5分钟”的今天,艺术不再是庙堂贡品,依靠二维平面中的错觉已不能满足观众的新奇欲望。解构传统艺术作品中因剧场艺术样式导致的看与被看的界限,使得人们更热衷于将自己的生活演化为艺术形式,以及在日常生 The use of materials in art for a long time, but the material itself is defined as the art, body and content of the carrier is the 20th century. Duchamp’s signature pushed the urinal into the history of art, giving it the magic of everyday art and the equivalent of art as a material. Since then, the graphical relationship between material, ideas, and abstraction has evolved into the mainstream of contemporary art narrative. Today, “Everyone Can Make a Name for 5 Minutes” today, art is no longer a temple tribute, relying on the illusion of two-dimensional plane can not meet the audience’s novel desire. Deconstructing the boundaries of seeing and seeing caused by the theater’s art style in traditional works of art makes people more interested in evolving their own lives into artistic forms and in daily life