在张艺谋电影序列中,《活着》、《我的父亲母亲》、《山楂树之恋》、《归来》等四部影片以毛泽东时代的政治运动为主要背景。与伤痕文学、伤痕电影不同,这些影片没有执著于政治叙事——探究和反思政治运动本身的荒谬及对人的伤害,而是进行文化叙事——把历史的创伤转化为温暖情感的怀旧。 In Zhang Yimou’s film sequence, four films, “Alive”, “My Father and Mother,” “Hawthorn Love,” and “Returning from the Return,” mainly focus on the political campaigns of Mao Zedong era. Unlike Scar Literature and Scar Movie, these films are not clinging to political narratives - to explore and reflect on the absurdity of the political movement itself and its harm to human beings, but to conduct cultural narratives - turning the trauma of history into the nostalgia of warmth and emotion.