陈毅同志在《湖海诗社开征引》有两句话:“此中真歌哭,情文两俱备”,道出了文学艺术创作的真谛。感情不仅是刺激和孕育艺术的生命,而且是沟通作者与观众(读者)思想的桥梁。作者在写作时,只有用自己的“真歌哭”,把自己的情感倾注在创作对象之中,才能写出感人至深的优秀作品来。在这方面古人曾经作过许多精湛的论述。部勰有“夫缀文者情动而辞发,观文者披文而入情”之说(《文心雕龙》),陆机强调“诗缘情而绮靡”(《文赋》)刘熙载也提出“文,心学也”(《古桐书屋续刻》)的精辟见解。不可想象,作者没有自己的爱和憎,没有喜怒哀乐,没有与艺术对象思想上的共鸣,而能创作出富有艺术魅力的作品来。《红楼梦》之所以 Comrade Chen Yi in the “Huhai Poetry Society levy cited,” there are two sentences: “This really is crying, love both preparations,” tells the true meaning of literary and artistic creation. Feelings not only stimulate and nurture the life of art, but also bridge the thoughts of the author and audience (reader). When writing, the author can only write impressive works by using his “true song” and pouring his affection into the object of creation. In this respect, the ancients made many superb expositions. Department of the Department of “Wrapped in the gentleman who moved and love, watcher Phi and into the situation,” said (“Wen Xin Diao Long”), Lu Ji stressed that “poetry and love of the ornate” (“Fu” ) Liu Xizai also put forward the “Wen, Xin Xue also” (“Gu Tong book cover continued engraved”) insights. Unimaginable, the author does not have his own love and hate, there is no emotions, no ideological resonance with the object of art, and can create a work full of artistic charm. “Dream of Red Mansions” reason