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从毛泽东遗物中的磁带唱片,我们可以寻找到他与戏曲文化的渊源:毛泽东具有博大精深的传统文化知识,他的戏曲爱好趣味盎然。毛泽东始终坚持人民本位文艺观,并以此来点评戏曲和指导戏曲工作。毛泽东主张百花齐放,推陈出新,要求保留传统戏曲丰富多彩的表现形式,反映积极、健康、向上的舞台内容。新中国成立后,毛泽东主持制定并推行的一系列文艺政策,既为古老的戏曲带来了崭新的面貌,也在世界范围内,就如何继承和发展传统戏剧文化走出了一条独特而有价值的道路。
From the tape records of Mao Zedong’s relics, we can find out the origin of his drama culture: Mao Zedong has extensive and profound traditional and cultural knowledge, and his drama love is full of fun. Mao Zedong always adhered to the people-based literary concept and used it as a point of reference for drama and for guiding opera work. Mao Zedong advocated the blossoming of flowers and brought forth new ideas and demanded that the colorful and varied forms of traditional opera should be preserved to reflect the positive, healthy and progressive stage contents. After the founding of New China, the series of literary and art policies formulated and promoted by Mao Zedong not only brought a brand new appearance to the ancient drama, but also took a unique and valuable role in inheriting and developing the traditional drama culture in the world. the way.