壬申岁末,《新剧本》杂志社、北京剧协、北京艺术研究所联合召开“戏剧文化与市场经济研讨会”,这个题目引起了艺术界、学术界、新闻界、文化主管部门的关注,于是之、徐天立、康式昭、顾骧、钟艺兵、林克欢、郭启宏、周传家、梁倩等20余位剧作家、评论家、理论家、记者出席了会议。面对一浪高过一浪的社会主义商品经济大潮的冲击,与会者感到的是紧迫、彷徨、躁动,有人将商品经济大嘲喻为钱塘潮汛,或惊或赞或歌或吟或咏或叹或搏浪或弄潮;有人却视之为安徽洪涝,或惧或怨或哀或泣或遁或匿或消沉或失措。然而,大潮席卷之 Ren Shen end of the year, “New Script” magazine, Peking Opera Association, Beijing Institute of Arts jointly held a “drama culture and market economy seminar,” the subject has aroused the attention of the art world, academia, the media, cultural departments , So more than 20 dramatists, critics, theorists and journalists attended the meeting, including Xu Tianli, Kang Shaozhao, Gu Xun, Zhong Yibing, Lin Kehuan, Guo Qijong, Zhou Chuanjia and Liang Qian. In the face of a wave of high tide over the impact of the socialist commodity economy, the participants felt the urgency, confusion and restlessness. Some people made a big mockery of the commodity economy as the tide of flood in Qiantang County, or shouting or praising or singing or singing or chanting Sigh or wave or wave; Some people regard it as floods in Anhui, or fear or resentment or cry or cry or escape or hide or depression or loss. However, the tide swept it