从《废都》到《秦腔》,贾平凹可谓十年磨一剑;从争议极大的“黄色文学”到好评如潮的茅盾文学奖得主,贾平凹一路走来并不平坦。《废都》和《秦腔》,犹如巨石投湖,在文学界都激起了千层浪。从这两部风格迥异的小说中,我们得以窥视国家意识的恪守与嬗变。 From the “waste capital” to “the Qin chamber,” Jia Pingwa can be described as a decade-old sword; from the controversial “yellow literature ” to the rave reviews of the Mao Dun Literature Prize winner, Jia Pingwa is not smooth along the way. “Waste Capital” and “Qin cavity”, like a stone throwing lake, literary circles have provoked Melaleuca waves. From these two novels of different styles, we can peep at the observance and evolution of national consciousness.