中国电影诞生于北京,繁荣于上海,作为一门舶来的艺术形式,电影艺术在其发展之初就带有一种精英意识和工业属性。然而近110年的中国电影史上却存在一个现象,即:农村是一个永远的景观,农民是一个写不尽的形象。中国电影诞生和发展于苦难深重的岁月里,所以中国的电影人在经历了一番探索和实验后,清醒地认识到:农民作为中国人口的大多数,必然将会成为社会变革的生力军。事实上,对中国电影史做一个纵向考察后就会发现,真正显现中国社会 Chinese films were born in Beijing and prospered in Shanghai. As a come-from-the-art art form, the cinematic art had an elite consciousness and industrial property at the beginning of its development. However, in the past 110 years, there is a phenomenon in the history of Chinese movie, that is, the countryside is an everlasting landscape and the peasants are an endless image. The birth and development of Chinese movies in the years of deep suffering, so Chinese filmmakers have experienced some exploration and experiment, clearly aware that: as the majority of the Chinese population, the peasants will inevitably become a new force in social change. In fact, a longitudinal study of the history of Chinese cinema will reveal that truly Chinese society