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汉代是中国封建社会的上升时期,是我们民族形成性格的时期,不仅有丰富生动的现实生活,还充满着各种怪诞的思想和学说。所以汉代艺术品中,尤其是画像石、砖除有大量真实的人物、动物之外,还有很多臆造的表意性内容。除了描绘伏羲、女娲、东王公、西王母、风伯雨师、山神海灵等神仙异灵,神农、黄帝、尧、舜、禹、文王、武王等人的历史故事外,车马骑射、宴饮歌舞等现实生活内容的增加,扩大了这个时代艺术表现的范围。当时,在“事死如事生”的观念支配下,源于中国古代的阴阳观念,即五行符应的(?)纬
The Han Dynasty was a period of rising of feudal society in China and a period of forming character for our nation. It not only had rich and vivid real life but also filled with various grotesque ideas and theories. Therefore, Han works of art, especially stone, brick, in addition to a large number of real people, animals, there are many imaginary content. In addition to depicting the historical stories of Fu Xi, Nu Wa, East King Gong, Queen Mother of the West, Wind Bo Yu division, the mountain spirit and other gods, Shennong, Huangdi, Yao, Shun, Yu, Banquet drinking and dancing and other real life content increases, expanding the scope of the art of this era. At that time, under the concept of “things like life and death”, the concept of yin and yang stemming from ancient China, that is, the (?) Latitude