日本儿童文学曾一度走向衰退,但近些年在政府自上而下“拯救行动”的努力下,日本儿童文学正迎来一个崭新的时代。与诞生了格林兄弟和安徒生的欧洲相比,日本在儿童文学方面算是一个后起之秀。明治维新之后,日本的儿童文学才正式“出世”。在它尚在萌芽阶段,就出现了一位耀眼之星——小川未明,他那细腻柔美的文风和悲天悯人的情怀,饱含日本传统的物哀美学,一上来就为日本的儿童文学树立了极高的典范。然而未明的作品美则美矣,却真的受孩子们欢迎吗?上世纪五六十年代,伴随着剧烈的社会变革,一批年轻的日 Japanese children’s literature once went into recession, but in recent years, with the efforts of the government from the top to the bottom of “rescue operations”, Japanese children’s literature is ushering in a brand-new era. Japan is a rising star in children’s literature as opposed to Europe, where Green Brothers and Andersen were born. After the Meiji Restoration, Japan’s children’s literature was officially “born”. While it is still in its infancy, a dazzling star emerges - Ogawa is uncertain about his delicate and gentle style and compassionate feeling, full of traditional Japanese material aesthetics, and as soon as he set up a pole for Japanese children’s literature High example. However, the beauty of the unknown works is beautiful, but really welcomed by the children? The fifties and sixties of last century, accompanied by dramatic social changes, a group of young days